The story so far

Reality Crisis is founded in Helsinki.

Rodney Mullen joins as co-founder and investor. His insight anchors everything after: skateboarding is a physics-constrained language.

Skateboarding is a four-decade negotiation between the human body and physics, a language built one failed attempt at a time. A ledge isn't an obstacle to a skater; it's a question the body has to answer, over and over, until it lands.

Machines that want to understand real places have to learn what skaters already know. That's the work we started from.

The first mobile AR version of Skatrix. Heavy computer-vision and machine learning research working behind a simple loop: scan, skate, and share.

Soft launch. 200,000+ players sign up across the App Store and Play Store, and feeds fill with player clips nobody asked them to make. Apple reaches out. Niantic starts paying attention.

None of it moved in a straight line. Bets went on platforms before their audiences arrived. Builds got thrown away as the game outgrew three versions of its own technology.

Skaters know this loop already: try, slam, adjust, land. Every landing becomes the floor for the next try.

Skatrix Pro ships as a day-one Apple Vision Pro launch title. The same year, Niantic Spatial and Reality Crisis announce a publishing and technology partnership.

The AUREA Award, Interaction category. And commissioned mixed-reality work for Meta.

The Gen-XR R&D project, backed by Business Finland, closes with an outcome nobody planned for: brAIn, the story engine. The same movement engine starts its first test in a real industrial setting.

The next generation of Skatrix is in development. brAIn opens to creators chapter by chapter, starting with the closed beta. The rest gets built the way everything here was, one landed trick at a time.